Le Divorce is about Americans in Paris. Worse, Americans from Santa Barbara, California, in Paris. Also, French cultural superiority and American innocence. One sister's marriage. Another's illicit love. Infidelity. Family disapproval. A crime of passion. Perhaps murder. When California girl Isabel Walker, film school dropout, comes to visit her stepsister Roxy in Paris, she arrives on the day that Roxy's French husband, Charles-Henri de Persand, has left her for another woman. Roxy is distraught and pregnant. Charles-Henri's powerful and prestigious French family is counseling patience and acceptance: Isabel is soon caught up in the romantic intrigue and Roxy's parents are just as soon on their way to France to lend their daughter support. Add to all of this a contretemps over a painting belonging to the Walkers but given by Roxy as a wedding gift to her husband, which turns out to be extremely valuable. It is, as the French say, a situation. It is also the basis for a comedy of manners that looks with delicious wit at cultures and carnal desires in collision: at the absurd way in which love can lead us toward grand tragedy or, at least, toward jealous crimes of the heart.
