Make Noise & soundhack's Mimeophon breaks the boundaries between all types of time-based effects, capable of everything from Karplus-Strong synthesis and flange effects to full-on delay and looping. Following in the footsteps of several of their previous digital modules, it might just make you reconsider what a delay effect is, and how it can be used. Another collaboration with soundhack's Tom Erbe, the Mimeophon is a synthesis tool based on exploiting the repetition of sonic material. A glance through its features seems to reveal an obvious kinship to the Echophon, Erbe-Verb, and Morphagene. It is a complex and well-considered time-based effect whose potential branches well beyond a simple label such as "delay" or "looper." Mimeophon's scale of operation is uncommonly wide: it can perform temporal processes as short as 1.3ms to as long as 41 seconds, making it just as useful as a flanger, for instance, as it is as a delay. Complete with voltage control of all parameters (including wet/dry mix), Mimeophon is an inspiring and fresh addition to the Make Noise product line. Despite what might initially seem like overlap with modules like the Echophon, Erbe-Verb, and Morphagene, Mimeophon provides access to completely new ground: diffused echoes, reversed soundscapes, granular transformations, rhythmic repetitions, and lush halos await. Width: 16hp MIMEOPHON FEATURES Stereo multi-zone color audio repeater Designed in collaboration with Tom Erbe of Soundhack fame Continues the forward-thinking legacy of modules like Phonogene, Echophon, Erbe-Verb, and Morphagene Perfect for all sorts of time-based effects from Karplus-Strong to delays, microsound to lengthy loops Zone control provides access to nested layers of repeats, acting as a master timescale control Rate provides playback speed/Doppler-style "delay rate" control Skew for offsetting left and right repeat rates micro Rate for subtler Doppler effects Flip and Hold for reverse and freeze effects Repeats, Halo, and Color interact to create effects that smear in space and change in spectral focus over time Gate output derived from Rate control Mono or stereo input with stereo output CV or Gate control for all parameters More information - Make Noise Music
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