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Art is a wild horse. If Minnich is avant-garde, exploring the border between colour and object, then it is a slightly tedious avant-garde. But this is not to his detriment. As we k now from Pessoa, tediousness can take us to some strange places, and this candy of a book makes the case. Minnich’s painting, neither hyper-intellectual nor market-heavy, is beautifully provincial. Rooted, stubborn, unconcerned with proving anything. And that is precisely how it ends up proving something, by the most unexpected routes. Through the wonder of the photographs – ridiculous ones too (a stork, tit mountains...) – that punctuate his psychedelically pretty painting slates, a strange force begins to rise and pour out. There is a blend of cliché restraint and non-sequitur directness. Nothing asks for your permission here. The effect is something like "A Man Whose Teeth Were All Exactly the Same". More on Colour Field PaintingDiscover publications related to colour field painting and its contemporary developments in our catalogue. Related titlesExplore related artist books and experimental publications in our catalogue. ArtistBernd Minnich Show more