In 2016, American painter Mark Grotjahn began a series of intimately scaled, thickly impastoed skulls. Made with brushes rather than his historically favoured palette knife, these paintings affirm the influence of Post-Impressionists on the artist. This catalogue presents the entirety of this series, alongside a singular essay by Alison M. Gingeras in which she posits that the skull is the origin of portraiture, charting the motif’s emergence throughout art history. After 15 years of Face Paintings and more than 100 Mask Sculptures, Grotjahn has stripped back the disguise and the skin and arrived at the 22 bones that structure the human visage. By introducing a symbol of life’s inevitable end into his visual vocabulary, Grotjahn sets his sights on his own corporeality. As a result, the Skulls are his most intimate paintings to date. 104 pages, 28.6 x 23.5 cm, hardcover, Karma Books (New York).
