Due to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience.Joining Bill Evans (piano) on Trio 64 — his initial three-piece recording for Verve — is the compact rhythm section of Gary Peacock (bass) and Paul Motian (drums). The effort spotlights their communal and intuitive musical discourse, hinging on an uncanny ability of the musicians to simultaneously hear and respond.All the more interesting, Evans had not interacted in this setting before, having most recently worked with Chuck Israels (bass) and Larry Bunker (drums).(AMG Review) MUSICIANSPiano: Bill EvansBass: Gary PeacockDrums: Paul MotianRECORDED TO TAPEDate of Recording: December 18, 1963Location: New York CityOriginal Tape Number: V6-8578Recording Producer: Creed TaylorSession Engineer: Bop SimpsonBOOKLET CONTENT LISTA Risograph copy of the recording informationA Cyanotype of Bill Evans after an original photograph by Jerome Knill, from a different sessionPolaroid of microscopic view of the real grooveA Risograph after an original photo of the Supersense Living Room studio. photographer: Ákos Burg, 2021"How to caress" by Florian "Doc" Kaps. An info sheet about the Supersense master records and how to care for them"Project Mastercut" by Florian "Doc" Kaps. An introduction to the Mastercut editions.Tracklist:Side ALittle LuluA Sleeping BeeAlwaysSanta Claus Is Coming To TownSide B I'll See You AgainFor Heaven's SakeDancing In The DarkEverything Happens To Me
