Digital Heart. Analog Soul Yamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. In 1987, we also released our first digital mixer, the DMP7, and have subsequently advanced technological innovations in sound quality, reliability and advanced functionalities with cutting-edge digital technologies. Drawing from our decades of experience crafting innovative, premium analog gear, we originally developed our new discrete Class-A microphone preamps for professional use in our high-end recording equipment. Utilizing an inverted Darlington circuit design, our newly-refined D-PRE mic preamps deliver a fat, rich, smooth tone that gives the MGP Series a significant advantage over any other mixer in its class. With Yamaha's proprietary X-pressive EQ we've managed to capture ultimate analog authenticity by unlocking the mysterious secret behind the expressive sound shaping capabilities of sought-after classic EQ modules. At the heart of the MGP's compact configuration, we've taken an innovative new approach to the utilization of digital technology in an analog mixer; adding high-resolution effects, iPod/iPhone integration and the superb functionality of our new Stereo Hybrid Channel to the warmth and musicality of premium analog sound. The MGP Series represents the ultimate balance of the converging technologies that are the heart and soul of Yamaha's extraordinary achievements in professional audio. 24-Channel Premium Mixing Console 16 Mic Inputs with 48V Phantom Power and HPF per Channel 24 Line Inputs (16 mono and 4 stereo) 6 AUX Sends + 2 FX Sends 4 GROUP Buses + ST Bus 2 Matrix out 1 Mono out MGP32X MGP24X Outline Mixing capability Mixing channels 32 Line Inputs (24 mono and 4 stereo) 24 Line Inputs (16 mono and 4 stereo) GROUP 4 GROUP Buses + ST Bus 4 GROUP Buses + ST Bus AUX 6 AUX Sends + 2 FX Sends 6 AUX Sends + 2 FX Sends MATRIX 1 Matrix out 1 Matrix out On-board processors FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control) FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control) Input channel functions - - I/O Mic inputs MIC: 24 (INPUTS HPF: 100Hz 12dB/oct) MIC: 16 (INPUTS HPF: 100Hz 12dB/oct) Phantom power 48V phantom power per channel 48V phantom power per channel Line inputs LINE: 24 mono + 4 stereo, CH INSERT: 24 RETURN: 1 stereo LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo Digital I/O USB Device, iPod / iPhone USB Device, iPod / iPhone General specifications Total harmonic distortion 0.02% (20Hz-20kHz@ +14dBu) 0.02% (20Hz-20kHz@ +14dBu) Frequency response +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz Hum & noise level Equivalent input noise -128 dBu Equivalent Input Noise -128 dBu Equivalent Input Noise Residual output noise -92 dBu Residual Output Noise -92 dBu Residual Output Noise Crosstalk -74dB @ 1kHz -74dB @ 1kHz Power requirements 100-240V 50Hz/60Hz 100-240V 50Hz/60Hz Power consumption 86W max 86W max Dimensions W 1,027mm (40.4") 819mm (32.2") H 169mm (6.7") 169mm (6.7") D 565mm (22.2") 565mm (22.2") Net weight 19kg (41.9lb) 15.5kg (34.2lb) Analog Input Specifications Input Terminal Actual Source Impedance For Use With Nominal Input Level Connector PAD GAIN Sensitivity *1 Nominal Max. before clip MONO CH INPUTMGP32X: 1–24MGP24X: 1–16 0 -60dB 3kΩ 50-600Ω Mics -80 dBu(0.078 mV) -60 dBu(0.775 mV) -40 dBu(7.75 mV) XLR-3-31 type *2Phone jack *4 -16dB -36 dBu(12.3 mV) -16 dBu(123 mV) +4 dBu(1.23 V) 26dB -34dB 600Ω Lines -54 dBu(1.55 mV) -34 dBu(15.5 mV) -14 dBu(155 mV) Phone jack *3 +10dB -10 dBu(245 mV) +10 dBu(2.45 V) +30 dBu(24.5 V) STEREO CH INPUTMGP32X: 25–32MGP24X: 17–24 -34dB 10kΩ 600Ω Lines -54 dBu(1.55 mV) -34 dBu(15.5 mV) -14 dBu(155 mV) Phone jack *4RCA Pin Jack +10dB -10 dBu(245 mV) +10 dBu(2.45 V) +30 dBu(24.5 V) MONO CH INSERT INPUTMGP32X: 1–24MGP24X: 1–16 10kΩ 600Ω Lines -20 dBu(77.5 mV) 0 dBu(0.775 V) +20 dBu(7.75 V) Phone Jack *5 ST CH INSERT INPUT L,R 10kΩ 600Ω Lines -20 dBu(77.5 mV) 0 dBu(0.775 V) +20 dBu(7.75 V) Phone Jack *5 TALKBACK INPUT 10kΩ 50-600Ω Mics -66 dBu(0.389 mV) -50 dBu(2.45 mV) -30 dBu(24.5 mV) XLR-3-31 type *6 0 dBu is referenced to 0.775 Vrms. 0 dBV is referenced to 1 Vrms.*1 Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V), or the nominal output level when the unit is set to maximum level. (all faders and level controls are at maximum position.)*2 XLR-3-31 type connectors are balanced .(1=GND, 2=HOT, 3=COLD)*3 Phone Jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)*4 Phone Jacks are unbalanced.*5 Phone Jacks are unbalanced.(Tip=Out, Ring=In, Sleeve=GND)*6 XLR-3-31 type connectors is unbalanced. Analog Output Specifications Output Terminal Actual Source Impedance For Use With Nominal Output Level Connector Nominal Max. before clip ST OUT [L,R] 75Ω 600Ω Lines +4 dBu(1.23 V) +24 dBu(12.3 V) XLR3-32 type *1Phone jack *4 MONO OUT 75Ω 600Ω Lines +4 dBu(1.23 V) +24 dBu(12.3 V) XLR3-32 type *1 GROUP OUT (1-4) 150Ω 10kΩ Lines +4 dBu(1.23 V) +20 dBu(7.75 V) Phone jack *2 AUX SEND (1-6) 75Ω 600Ω Lines +4 dBu(1.23 V) +24 dBu(12.3 V) XLR3-32 type *1 MATRIX OUT (1, 2) 150Ω 10kΩ Lines +4 dBu(1.23 V) +20 dBu(7.75 V) Phone jack *2 MONO CH INSERT OUTMGP32X: 1–24MGP24X: 1–16 75Ω 10kΩ Lines 0 dBu(0.775 V) +20 dBu(7.75 V) Phone jack *3 ST CH INSERT OUT [L,R] 75Ω 10kΩ Lines 0 dBu(0.775 V) +20 dBu(7.75 V) Phone jack *3 MONITOR OUT [L,R] 150Ω 10kΩ Lines +4 dBu(1.23 V) +20 dBu(7.75 V) Phone jack *2 PHONES OUT 150Ω 40Ω Phones 3mW 75mW ST Phone Jack 0 dBu=0.775 Vrms, 0 dBV=1 Vrms*1 XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)*2 Phone jacks are impedance balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)*3 Phone jacks are unbalanced. (Tip=Out, Ring=In, Sleeve=GND)*4 Phone jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)
