Mrs. Dalloway

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6b Virginia Woolf. New York: Brace and World, 1966. Notes Virginia Woolf’s Mrs. Dalloway, published in London by the Hogarth Press in 1925, stands as a seminal, towering monument o f high literary modernism. The complex, tightly compressed narrative unfolds over the course of a single, vibrant Wednesday in June 1923 within post-World War I London. The plot transitions seamlessly between two parallel characters who never formally meet: Clarissa Dalloway, a wealthy, upper-class high-society hostess walking through Westminster to purchase flowers for an elite evening party, and Septimus Warren Smith, a deeply traumatized, shell-shocked veteran of the Great War descending rapidly into a terrifying psychological breakdown. Utilizing a revolutionary, fluid stream-of-consciousness narrative style that weaves effortlessly between the present moment and long-buried memories of youth at the Bourton estate, Woolf uses the constant, heavy chiming of Big Ben to track the passing hours. The text functions on a deeper level as a brilliant exploration of existentialism, institutional madness, and the rigid constraints of gender and class, culminating in Clarissa’s party where she learns of Septimus's tragic suicide and experiences a profound, transcendent epiphany regarding her own mortality and connection to the world. The author, Adeline Virginia Woolf (1882–1941), forged this exquisite masterpiece from a position of intense personal excavation, utilizing her own private struggles with severe mental illness and institutional psychiatry to anchor the text's visceral realism. Born into a highly intellectual Victorian household in London, Woolf's early life was fractured by the premature deaths of her mother and sister, traumas that triggered the initial nervous breakdowns that would shadow her entire career. Alongside her husband Leonard Woolf, she established the influential Hogarth Press in 1917, providing her with the absolute artistic independence necessary to bypass conventional commercial publishers and systematically experiment with narrative form. In the grand landscape of 20th-century literature, Mrs. Dalloway serves as the vital cornerstone that shattered the linear, external focus of Edwardian fiction, placing Woolf at the absolute vanguard of the international modernist movement alongside figures like James Joyce and T.S. Eliot. For collectors and rare book enthusiasts, pristine 1925 first editions wrapped in the iconic, abstract dust jacket designed by her sister Vanessa Bell remain an exceptionally scarce and highly coveted holy grail of modern letters, celebrating the exact moment Woolf successfully transformed internal mental chaos into a permanent, universal monument of psychological art. Description Light blue cloth boards with tiles to spine and front board in dark blue. Patterned endpapers. Original dust jacket. Vintage copy which resembles the first American printing of 1925. Some yellowing to the dust jacket as well as small tears along the edges and crease to the front flap. Old price stamps to front endpaper. Ownership pastedown to interior board. Very good condition. Show more