Mush - Down Tools Track list: 1 Grief Thief2 Karoshi Karaoke3 Get On Yer Soapbox4 Human Resources5 Northern Safari6 Dense Traffic7 Inkblot and The Wedge8 Group of Death9 Groundswell10 Interlude11 Burn, Suffering!12 Down Tools Leeds art-rock group Mush (Dan Hyndman - vocals / guitar, Phil Porter - drums, Nick Grant - bass, Myles Kirk– guitar) are set to return with album ‘Down Tools’ on 8 July 2022 via Memphis Industries. The new record marks the prolific band’s third album in as many years, following hype-building early singles ‘Alternative Facts’ and ‘Gig Economy’, 2020’s debut LP ‘3D Routine’ and 2021's acclaimed ‘Lines Redacted’, which pushed their sound further and, as Uncut wrote, saw them become “kindred spirits to Wand and King Gizzard & The Lizard Wizard, two other bands prolifically honing their sound and approach, steadily developing their voice.” ------------------------------------------------------------------------------------------------Thank you for looking at our listing, below are a few points to consider before making a purchase:- All records we sell are Brand New - pre-orders will normally come sealed but if you are purchasing in stock items, please note the copy may have been unsealed for display in the shop. Please email straight after purchase to enquire if this is of importance to you.- Orders won't ship until all items are released, so keep this in mind when purchasing multiple pre-orders or a mix of in stock and pre-order items. - The 'Product' page will show the most up to date info we have with regards to the item and its release date, but this information is subject to change so check in with us if you have any questions.- We unfortunately don't offer tax/vat outside of the UK via the website so please keep in mind that when the items arrives in your country you may be liable to pay a further charge before delivery. (all UK orders the price you see is the price you will pay). Please also note that we are unable to adjust the declared value on items sold internationally. On ‘Down Tools’, this voice grows again into a more brilliantly singular sound. It sees Mush getting loose, moving away from the defined moods and textures of ‘Lines Redacted’ with a musical openness, straddling genres while avoiding pastiche. Hyndman says of the lyrics on ‘Down Tools’ that “there was a conscious decision to retreat further from an observational approach” with vocals being ad-libbed lending the record a more abstract feel. Hyndman continues: “this album is less dark than the previous one. The Armageddon obsession has eased, or at least the symptoms have become milder due to saturation. Musically there’s a lot more chill on the record – there’s a few more mellow tracks out there and the most astute listener may even be able to decipher some of the words, fingers crossed.” While grief and work balance form themes on the record, Hyndman’s approach is largely made up of abstract, disconnected streams of consciousness and lines liberally taken from books, paintings, films and beyond. On ‘Human Resources’, Hyndman dramatically retells a battle he had with an HR department at a job in a David and Goliath style. The song ‘Group Of Death’, a phrase chillingly familiar to any football fan, is emblematic of the turn towards softer, more considered sounds. Hyndman says: “In my warped imagination it just sounds like a Paul McCartney song, but it won’t to others. I initially had the idea of doing a World Cup song called ‘Group of Death’, but by the time it was written nothing beyond the title had any relevance to football. Anyway, the next World Cup is in Qatar so fuck that shit.” Northern Safari meanwhile is a song about the way the North of England has been portrayed in the media and used as a mirror to reflect some of the nastier elements of what’s going on in society, in particular vox pops around Doncaster, portraying a particular narrative of the collapse of the red wall and the disgruntled ex-miners. ‘Down Tools’ then sees Mush idiosyncratically ping-pong from finger picked looseners to noise-rock bangers to brilliantly entertaining effect, avoiding post punk saturation with an easy style and wit.
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