A mixer should not only sound good. It should be very easy to use. Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mini-consoles that make creative mixing easy. Both the 24- and 16-channel models give you analog’s instant control over those inevitable live mixing emergencies, stunning sound quality, and more musician friendly features than the competition — paired with the power of high-quality digital where it counts. Designed in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixers Use a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixes have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink. New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claim When you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical. True hybrid design developed with mixer design legends Greg Mackie and Peter Watts 16 x 8 x 2 models feature practical design structure and ingenious features that make mixing unpredictable live performances easy even for novices Peter Watts-designed HiVolt mic preamps, with the most headroom of any comparably-priced analog or digital mixer Unique Musician’s Phones Monitor Section for fast, one-knob boost of a musician’s mix without having to change Aux or Main mix Only mixer in its class with Mute Groups to create various input combinations of musicians or parts of a church service True 8-bus configuration makes SoundLink perfect for recording as well as live mixing musicians, different parts of a church service, or cues during a theater production Peter Watts’ refined, studio-grade, one-knob Compressor on all mic channels Super-useful touches such as best-in-class Feedback control system, all-XLR speaker outputs, 31-band Spectrum Analyzer, and enhanced Break system 20 of Korg’s renowned 32-bit digital effects — 10 at once with recallable parameters Premium components including Velvet Sound™ A/D & D/A converters and silky-smooth, long-life ALPS® faders and rotary controls
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