A brief horror intro leads into the title track. It sounds slightly reminiscent of the intro to Sepultura's Schizophrenia, though far shorter. Musically, this isn't much different from the version that would appear on Darkside. The drumming seems a bit stale and repetitive, however. It's much more noticeable on this recording. Another thing that makes this E.P. significant is that this is the first Necrophobic release to feature Tobias Sidegård on vocals. This version isn't quite as raw as the later one, but there aren't too many differences, otherwise. The next song is a tricky one, as it is a cover of Slayer's "Die By the Sword". The first thing that one might notice is that Tobbe's vocal approach doesn't quite fit the feeling of the song. Here, he goes for a deeper sound that feels a little too forced. The higher parts fit a little better, though. Still, nothing will ever come close to the original. Therein lies the problem in covering such an incredible song; it's very difficult to live up to such greatness. Joakim's drums don't have anything on Dave Lombardo's work on Show No Mercy, either. As far as the guitars, I have no complaints. David Parland and Martin Halfdan do an excellent job of maintaining the feel of the original. Despite the minor complaints, this is actually an enjoyable song. However, any band that tries to match the brilliance of the early Slayer albums is climbing up a slippery slope. Possibly, Dissection managed to get closest to this goal, with their cover of "Antichrist". A cover of Venom's "Nightmare" follows this. I was looking forward to this, upon first listen, as this is one of my favourite Venom tunes. Here, Tobias sticks with the raspier vocal style, which fits the atmosphere much better. Musically, it's dead on; not much room for error when it comes to Venom. They do a great job of sticking to the original and not straying or changing the feeling. This is a top-notch cover of the Unholy Trio. Finally, we have "Enter the Eternal Fire". Again, Necrophobic have taken on a hellacious task, as no one could ever possibly measure up to the standards set by Bathory, on the original. However, one must step back and realize that this shouldn't be taken so seriously. Obviously, they weren't attempting to compete with the original bands; instead, this should be looked at as the band simply having a little fun and recording some of their favourite songs. Musically, this is pretty solid. The guitars are dead on. Vocally, it's interesting but not nearly as morbid as the original. The bells and keyboards sound exactly as they do on the Bathory version, and the lead solo was nailed, perfectly. Again, the inclusion of this song is pretty awesome, as this is another song that has meant a lot to me for many years. If nothing else, this E.P. proves that these guys had great taste in music.
