TLM 67 Studio Microphone The TLM 67 captures the spirit of Neumann’s classic U 67, which defined the sound of the 1960s. But instead of electron tubes the TLM 67 relies on trouble free FET electronics with a special sound design for a gorgeous retro tone. Like its predecessor, the TLM 67 is a versatile studio workhorse with three polar patterns, pad and low cut options. TLM 67 Features Inspired by the legendary Neumann U 67 tube microphone Transformerless solid state circuit with tube sound characteristics Three polar patterns: omni, cardioid, figure-8 Switchable low cut and pad Versatile studio workhorse for vocals and instruments Very low self-noise Just like its legendary precursor, the TLM 67 is a universal studio microphone with three directional patterns ¬– omni, cardioid, and figure-8 – as well as low cut and pad options. A true workhorse! Its unique tube-like midrange character makes the TLM 67 is an excellent microphone for vocals and spoken word. Thanks to its essentially linear frequency response, it is also a versatile microphone for a wide rage of instruments, such as acoustic and electric guitar, piano, percussion, drums overheads, and much more. Details Instead of the U 67’s tube electronics, the TLM 67 has a transformerless head amplifier, built with highly reliable 21st century solid state technology – yet with a retro twist! The TLM 67’s circuit may be modern, but it meticulously reproduces the sound of the 1960s. This results in a seemingly low max SPL figure of 105 dB (in cardioid mode) for 0.5% THD, but, like in a tube circuit, distortion rises gently to 5% THD for 125 dB SPL. The TLM 67 thus captures the sound character and dynamic behavior of its famous predecessor without the use of tubes and without the inconvenience of a clunky PSU box and multipin cables. Visually, too, the TLM 67 has a retro touch with a unique dual color scheme, combining a capsule head in classic satin nickel with a stylish pearl-gray body. Released in 2008, the TLM 67’s front is graced by a metal emblem of our founder, Georg Neumann, commemorating the company’s 80th anniversary. Specifications Acoustical operating principle Pressure gradient transducer Frequency Range 20 Hz ... 20 kHz Directional Pattern Omni/cardioid/figure-8 Sensitivity at 1 kHz into 1 kohm 10/18/9 mV/Pa (Omni/cardioid/8) Rated Impedance 50 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR¹⁾ 29/24/30 dB (Omni/cardioid/8) Equivalent noise level, A-weighted¹⁾ 16/11/17 dB-A (Omni/cardioid/8) Typical SPL (tube characteristic) for K
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