Maurizio Bianchi is an Italian pioneer of industrial music and dark ambient, originating from Milan. Bianchi was inspired by the music of Tangerine Dream, Conrad Schnitzler and Throbbing Gristle. He wrote about music for Italian magazines before beginning to release his own cassettes under the name of Sacher-Pelz in August 1979. He released four cassettes as Sacher-Pelz before switching to his own name or simply "MB" in 1980. Bianchi corresponded with many of the key players in the industrial music and noise music scenes including Merzbow, GX Jupitter-Larsen, SPK, Nigel Ayers of Nocturnal Emissions and William Bennett of Whitehouse. After this exchange of letters and music, his first LPs were released in 1981. Symphony For A Genocide was released on Nigel Ayers' Sterile Records label after Bianchi had sent Ayers the money to press it. Each track on the LP was named after a Nazi extermination camp. The cover featured photographs of the Auschwitz Orchestra, a group of concentration camp prisoners who were forced to play classical music as people were herded into the gas chambers. The back cover included the text "The moral of this work: the past punishment is the inevitable blindness of the present". By 1983 and the release of the Plain Truth LP on U.K. power electronics label Broken Flag, Bianchi had become a Jehovah's Witness. At the end of 1983 Bianchi announced his withdrawal from music. In 1998, encouraged by Alga Marghen label head Emanuele Carcano, who offered him a label of his own, Maurizio Bianchi resumed making music. The label was EEs'T Records, through which he released new editions of old MB albums and many new recordings. Never Existed Before Consequently It Will Never Exist After is credited to MB & Nisi Quieris, with the latter being another pseudonym for Maurizio Bianchi himself. The album introduces him on vocals next to the electronics this opening a new chapter for MB.
