Art Description This is Frederic Church's largest painting, finished in 1867, and it's not really a landscape so much as a record of standing somewhere overwhelming. Church sketched the falls in person and worked from a sepia photograph to get the scale right. It now lives in the Scottish National Gallery, a long way from the water it depicts. Museum Quality Archival Paper This is printed on 230gsm museum quality archival matte paper using pigment-based giclee inkjet, the same process galleries use when they actually care about how something looks in twenty years. Acid-free, 100% cotton rag or alpha-cellulose base. The colors don't drift. The paper doesn't yellow. It just holds. Paper ships flat, ready for wherever you take it next. Paper: Archival matte, 230gsm, acid-free, FSC-certified Printing: Pigment-based giclee, 300 DPI Wood Frame Specifications If you choose the framed option - The frame is slim, just over half an inch wide. Natural oak, black, walnut, or white. Shatter-resistant acrylic instead of glass, which means it travels better and hangs without the paranoia. Turnbuttons on the back if you ever want to swap the print out. The whole thing arrives ready to hang, sawtooth hardware included. Frame: FSC-certified oak, 0.55" x 0.63" profile Frame colors: Natural oak, black, walnut, white Glazing: Shatter-resistant acrylic Hardware: Sawtooth hanger, protective corners Shipping Ships: 2-6 days to the USA, made in the U.S.