Night Lights

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This session recorded at New York!s Nola Penthouse Studios in 1963 is a little-known masterwork from the incredible Gerry Mulligan catalogue. Licensed officially from Phillips/ Uni versal and mastered by Kevin Gray (recent credits include the Blue Note Tone Poet series) using transfers from the original tapes, this is the best the record has ever sounded. Baritone Saxophonist Gerry Mulligan was a true icon of jazz, being one of the prominent figures in the West Coast scene through the "50s all the way until his death in 1996. Voted number one musician in his instrument by Downbeat Magazine for 42 years in a row, Mulligan was one of the key players of his time and a figurehead who help shape the sound of jazz to come. From periods in the Birth Of The Cool era Miles Davis line up as well as forming a piano-less quartet with Chet Baker, Gerry was always on the frontline of what was hip and happening in America!s one true art form. With its striking Oliver Hardimon designed cover, Night Lights! is the very definition of refined cool jazz. Shimmering with a late-night beauty that perfectly evokes a sophisticated New York City in the early 1960s, Gerry and his Sextet fuse slow burning jazz noir alongside emerging, contemporary Brazilian rhythms with the interplay between Mulligan and guitarist Jim Hall a particular standout throughout. Title track Night Lights is a wonderfully smooth, low light tune, while the Latin tinged Morning Of The Carnival really finds the band in their finest and most swinging form. A cover of jazz standard In The Wee Small Hours Of The Morning followed by Chopin!s Prelude In E Minor continues the delightful groove before we finish out with Mulligan originals Festival Minor and Tell Me When. For this version of the release, we have included the 1965 version of Night Lights, which gives an interesting comparison, performed by his later day Quintet featuring the Wrecking Crew!s legendary Hal Blaine on drums amongst others.Remastered using transfers from the original tapes lifted from the Phillips vault by mastering legend Kevin Gray Pressed at Pallas on 180g heavyweight vinyl and housed in a thick reverse-board sleeve with additional insert featuring photographs, essays and words by bassist on the session Bill Crow. Show more