Choose your workflow There are two ways to use Ninja Ultra. On its own, it's the most powerful Ninja ever. Add the affordable Atomos Connect, and it's a gateway to amazingly fast and productive cloud workflows like camera to cloud and Atomos Edit. You can even edit your project in the cloud and publish to social media within minutes of shooting the action. Choose Ninja Ultra if you're not ready for the cloud quite yet. And if you want to get started with cloud workflows, Ninja Ultra and Connect is the perfect combination. New with Ninja Ultra Only available with Atomos Connect Connect brings essential network and SDI connectivity to Ninja Ultra and introduces you to super-efficient cloud workflows. It fits snugly to the rear of the Ninja Ultra, letting you connect to SDI cameras, convert from SDI input to HDMI output and use WiFi 6E and 1GbE Ethernet. It comes with AirGlu wireless synchronization and supports AtomRemote App. It's the most practical and affordable way to stream, transfer and edit in the cloud. ProRes RAW for camera to cloud workflows Capture simultaneously to 4K 60p ProRes RAW and HD 60p H.265 Record full-quality files in ProRes RAW up to 4K 60p while at the same time recording HD 60p to H.265. It's the best of both worlds. Boost your productivity by storing your definitive copy in ProRes RAW ready for your post-production workflow, and use your H.265 copy for your camera to cloud activities. Original camera filenames over SDI Automatic matching filenames, timecode and record trigger from ARRI, Canon, and RED cameras Previously, camera to cloud relied on matching filenames with hero and proxy files made by AtomOS. Now, thanks to cooperation with ARRI, Canon and RED, Atomos C2C files are matched back to the original in-camera (OCF) filenames. This gives a joined-up process when conforming C2C or SSD proxy files in the edit with camera files. On camera or on Atomos: it's your choice. Publish from the cloud Record higher quality media for instant publishing The new 4K camera to cloud mode lets you record and upload much higher quality H.265 video with higher framerates. H.265 files are half the size of H.264 media. They're small enough for camera to cloud workflows but more than good enough for immediate use on social media, sports reporting or news gathering. It's the fastest way to get your video in front of your viewers (requires ACS subscription). Also a super useful mode to record proxies at up to 4K 60p to match a original in-camera (OCF) file. Supercharge your internet With lower latency, higher throughput and a more stable connection, WiFi 6E boosts cloud video workflows. All other Wi-Fi variants share the same two radio frequency bands: 2.4 GHz and 5GHz, but Wi-Fi 6E also occupies 6GHz. Only Wi-Fi 6E devices use this frequency, so they have no competition from legacy Wi-Fi formats. Wi-Fi 6E is less prone to interference and works over a longer range. All things being equal, users will have at least twice the bandwidth available at a given distance from the transmitter. The new format also offers lower latency and can make more simultaneous connections to Wi-Fi 6E routers. Wi-Fi 6E is backwards compatible with previous Wi-Fi versions, but its extended capabilities will only be available when connecting to other Wi-Fi 6E equipment Time-lapse Set up time-lapse recording and control it from your Ninja Ultra, completely independent of your camera's controls. Use the Ninja Ultra's screen for accurate visual alignment and its massive removable storage for longer projects. RecordAssist Set a time for your recording to start. It's ideal for covering pre-arranged events when you need to be somewhere else. If you have several Ninjas, you can even record in multiple locations simultaneously. It's also a safer way to cover dangerous locations without risk to you and your colleagues. Finally, it's perfect for wildlife shooting. Want to capture the action by the riverbank at sunset Just dial-in the time and come back later. Multiple codecs The new Ninja line includes the following codecs free of charge, giving you more options to choose the ideal codec for your projects. Apple ProResApple ProRes RAWH.265DNx (QuickTime)DNx (MXF)* coming later in 2023 The Apple ProRes codec is pre-activated to use out of the box, so you can start shooting immediately. To activate the H.265 and DNx codecs, visit my.atomos.com to register your product, then follow the simple online instructions to activate these codecs for free using an activation token system. To activate the Apple ProRes RAW codec you need to go to the my.atomos.com portal. There is a small additional step to get the correct activation token and access the codec for free. You simply need to plug in your compatible RAW camera to complete the process. You only need to do this once to unlock this super-flexible and unique codec in perpetuity.
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