Orpheus and Eurydice

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Christoph Willibald Gluck’s most popular opera, “Orphée et Euridice,” was performed in 1774 in Paris to sensational success. This new adaptation followed the original Viennese vers ion with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version, Gluck changed the leading role of Orpheus from an alto to a tenor and composed new recitatives. Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionized Metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime, and dance are all closely connected; the myth replaces a historical plot surrounded by intrigue; where there would have been a da-capo aria, there are now simple song forms, and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set. Show more