During the winter of 1844/45, Th¨¦odore Rousseau shared quarters with fellow painter Jules Dupr¨¦ to the east of Paris, near l'?sle-Adam on the Oise River. In this view showing the effects of frost on the sloping terrain, Rousseau broke with Academic practice by working outdoors for a week, painting directly on the canvas. In so doing, he bypassed the distinction between the outdoor sketch and the finished painting, which was traditionally completed in the studio. Title Hoarfrost Creator Th¨¦odore Rousseau (French, 1812-1867) Date Created 1845 Roles Artist Th¨¦odore Rousseau (French, 1812-1867) Provenance Paul Casimir-P¨¦rier, Paris, by purchase (from the artist); Durand-Ruel (date and mode of acquisition unknown); Troyon (date and mode of acquisition unknown); Troyon Sale, Paris, 1866, no. 568; Collection Bocquet, Lille (date and mode of acquisition unknown); Laurent-Richard Sale, Paris, 1873, no. 44; Durand-Ruel, 1873, by purchase; Collection Febore (date and mode of acquisition unknown); Beurnonville Sale, Paris, 1880, no. 45; Goupil (date and mode of acquisition unknown); Purchased by William T. Walters (through George A. Lucas as agent), Baltimore, December 26, 1882 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931. [1] The Diary of George A. Lucas, p. 555. Object Type oil paintings Medium oil on canvas Geography Place of Origin Isle-Adam, L' Exhibitions From Rye to Raphael The Walters Story. The Walters Art Museum, Baltimore. 2014-2016., The Road to Impressionism Barbizon Landscapes from the Walters Art Museum. The Dixon Gallery and Gardens, Memphis; The Frick Art & Historical Center, Pittsburgh. 2008-2009., The Road to Impressionism Landscapes from Corot to Manet. The Walters Art Museum, Baltimore. 2004-2005., Triumph of French Painting Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Dayton Art Institute, Dayton; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo. 2000-2002., 19th Century Masterpieces from the Walters Art Museum. Santa Barbara Museum of Art, Santa Barbara; Jack S. Blanton Museum of Art, Austin. 2010-2011., A Magnificent Age Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte. 2002-2004., The Rise of Landscape Painting in France Corot to Monet. The Currier Gallery of Art, Manchester, Manchester; IBM Gallery of Science and Art; Dallas Museum of Art, Dallas; High Museum of Art, Atlanta. 1991-1992., The Works of Antoine-Louis Barye. American Art Gallery (New York), New York. 1889-1890., A Baltimorean in Paris George A. Lucas, 1860-1909. The Walters Art Gallery, Baltimore. 1979., Before Monet Landscape Painting in France and Impressionist Masters Highlights from The Walters Collection. The Walters Art Gallery, Baltimore. 1998., Highlights from the Collection. The Walters Art Gallery, Baltimore. 1998-2001., Vive la France! French Treasures from the Middle Ages to Monet. The Walters Art Gallery, Baltimore. 1999-2000., Barbizon Revisited. Fine Arts Museums of San Francisco, San Francisco; Toledo Museum of Art, Toledo; The Cleveland Museum of Art, Cleveland; Museum of Fine Arts, Boston, Boston. 1962-1963., Theodore Rousseau, 1812-1867. Mus¨¦e du Louvre, Paris. 1967-1968. Dimensions H 25 x W 38 9/16 in. (63.5 x 98 cm); Framed H with build-up 40 1/8 x W 53 7/8 x D 7 in. (101.92 x 136.84 x 17.78 cm) Credit Line Acquired by William T. Walters, 1882 Classification Painting & Drawing Accession Number 37.25