JUILLIARD QUARTET Schoenberg, Berg & Webern: String Quartets (1951-2) - PACM087

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overviewfb55cd020f0643f08418183279e63a5fSCHOENBERG String Quartet No. 1 in D minor, Op. 7SCHOENBERG String Quartet No. 2 in F sharp minor, Op. 10SCHOENBERG String Quartet No. 3, Op . 30SCHOENBERG String Quartet No. 4, Op. 37WEBERN Five Movements for String Quartet, Op. 5BERG String Quartet, Op. 3Recorded 1951-52 Total duration: 2hr 23:34Juilliard String Quartet 578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5fGramophone Historic Review578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5fSchoenberg - Quartet No. 1578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5fLast year Philips made the Juilliard Quartet’s magnificent recordings of Schoenberg’s second, third and fourth quartets available to English collectors on special order. Evidently this somewhat tentative display of enterprise must have justified itself in terms of sales, for they have now transferred both of those records to the regular catalogue, with the mono numbers ABL3372. and 3373, and have also taken the opportunity to complete the set by issuing the monumental first quartet, which was previously not even available to special order. Listening to it again in the Juilliard's profoundly intelligent interpretation I cannot help wondering why there should have been so much hesitation about exposing the British public to it. Of course this is not the .Schoenberg that appeals to some Schoenbergians: completed in 1905 (six years after Verklärte Nacht) it is still completely tonal in its language, in spite of the fluent use of chromatic harmony; it is sometimes said to be turgidly scored, but in a performance where each player knows what he is up to at any given moment — as these clearly do — the apparent thickness can be seen as muscle and sinew; and lastly, of course, the fact that it is written in one continuous movement might deter a few faint hearts, if acquaintance did not reveal how beautifully assured and firm the overall design is. No, matters of taste and fashion apart, there is every reason why this quartet should be in the catalogues, for it shows Schoenberg in his early maturity expressing himself in the medium which, above all others, he had reason to know and love. This should prove the ideal, stepping-stone to the second quartet, and the chamber symphonies for those who have so far not managed to come to grips with any Schoenberg apart from Verklärte Nacht.The recording, some years old. now, is perfectly adequate; only a slight lack of fullness betrays its age. The score is published by the Dreililien-Verlag, Berlin-Lichterfelde. J.N., The Gramophone, June 1961578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples/PACM087.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5fDefinitive classic recordings of modern masterpieces from the 2nd Viennese School"...the Juilliard's profoundly intelligent interpretation..." - The GramophoneIt seems that the name "Schoenberg", despite his huge importance in the history of twentieth century musical development, struck fear into the hearts of 1950s British record company executives - so much so that these recordings had to wait almost a decade after their American recording dates before anyone was brave enough to issue them on the other side of the Atlantic.Philips did a fine job with their pressings, and it is from neat-mint copies of these that the present transfers were taken. XR remastering has brought a greater sense of life and presence, to lift the recordings to a higher technical level than previously heard, with clarity and depth that finely unravels the complexities of much of the music.Note that the Juilliard's contemporaneous recording of Berg's String Quartet Op. 3 was too long to include on the present CD issue. I restored it along with the Schoenberg and Webern, and it is available as a free download from our website. Andrew Rose578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f SCHOENBERG String Quartet No. 1 in D minor, Op. 7 Recorded 19 May, 1952 SCHOENBERG String Quartet No. 2 in F sharp minor, Op. 10 Recorded 12 June, 1951 Uta Graf soprano SCHOENBERG String Quartet No. 3, Op. 30 Recorded 12 June, 1951 SCHOENBERG String Quartet No. 4, Op. 37 Recorded 16 May, 1952 WEBERN Five Movements for String Quartet, Op. 5 Recorded 1 August, 1952 BERG String Quartet, Op. 3 Recorded 31 July, 1952 N.B. The Berg String Quartet is included in all downloads, but we were unable to fit it onto our CD release due to excess length. The Juilliard String Quartet: Robert Mann, violin Robert Koff, violin Raphael Hillyer, viola Arthur Winograd, cello Recorded at Columbia 30th Street Studio, New York City Transfers from Philips ABL.3387, A01177L, ABL.3373 578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers/thumbs/PACM087.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers/PACM087.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f Show more