Copublished by Aperture and the Smithsonian Institution Binding Type: PaperbackAuthor: Marvin Heiferman, Merry A. Foresta (Foreword by)Published: 06/30/2012Publisher: ApertureISBN: 9781597111997Pages: 263Weight: 1.75lbsSize: 10.00h x 7.00w x 0.90dAbout the AuthorForesta, Merry A.: - Art historian and author of numerous essays and articles on American art and photography, Merry A. Foresta, was the founding director of the Smithsonian Photography Initiative from 2000 to 2010. Prior to that, she was senior curator for photography at the Smithsonian American Art Museum. Her publications include Perpetual Motif: The Art of Man Ray (1998), Between Home and Heaven: Contemporary American Landscape Photography (1992), Secrets of the Dark Chamber: The Art of the American Daguerreotype (1995), and At First Sight: Photography and the Smithsonian (2004).Heiferman, Marvin: - Curator and writer Marvin Heiferman has focused on the influence of photographic images on culture and history in projects such as Fame After Photography at the Museum of Modern Art, New York (1999) and Image World: Art and Media Culture at the Whitney Museum of American Art, New York (1989). A contributing editor to Art in America, he serves on the faculty of both the International Center of Photography/Bard College and the School of Visual Art's MFA programs in photography. He was creative consultant to the Smithsonian Photography Initiative from 2005 to 2011, during which time he conceptualized and curated click! photography changes everything (click.si.edu).Foresta, Merry A.: - Art historian and author of numerous essays and articles on American art and photography, Merry A. Foresta, was the founding director of the Smithsonian Photography Initiative from 2000 to 2010. Prior to that, she was senior curator for photography at the Smithsonian American Art Museum. Her publications include Perpetual Motif: The Art of Man Ray (1998), Between Home and Heaven: Contemporary American Landscape Photography (1992), Secrets of the Dark Chamber: The Art of the American Daguerreotype (1995), and At First Sight: Photography and the Smithsonian (2004).
