.cs95B300B{11pt;font-weight:normal;color:#000000;font-style:normal;Calibri;} .cs3388614{text-align:left;margin:0pt 0pt 10pt 0pt;line-height:1.15;text-indent:0pt} .cs4639DCB{11pt;font-weight:normal;color:#000000;font-style:italic;Calibri;} Imagine the document you have before you is not a book but a map. It is well-used, creased, and folded, so that when you open it, no matter how carefully, something tears and a line that is neither latitude nor longitude opens in the hidden geography of the place you are about to enter.Imagine the document you have before you is not a book but a map. It is well-used, creased, and folded, so that when you open it, no matter how carefully, something tears and a line that is neither latitude nor longitude opens in the hidden geography of the place you are about to enter.Since the publication of her prize-winning memoir Craft for a Dry Lake, in 2000, writer and artist Kim Mahood has been returning to the Tanami desert country in far north-western Australia where, as a child, she lived with her family on a remote cattle station. The land is timeless, but much has changed: the station has been handed back to its traditional owners; the mining companies have arrived; and Aboriginal art has flourished.Comedy and tragedy, familiarity and uncertainty are Mahood's constant companions as she immerses herself in the life of a small community and in groundbreaking mapping projects. What emerges in Position Doubtful is a revelation of the significance of the land to its people - and of the burden of history.
