A richly illustrated book that explores how Poussin's dancing pictures helped him develop a new approach to painting Poussin's scenes of bacchanalian revelry, tripping maenads and skipping nymphs are often described as 'dancelike' and 'choreographed'. The artist's dancing pictures helped him develop a new approach to painting that would become the model for the French classical tradition. Shedding the sensuous, painterly manner of his early career, Poussin carved out the crisp, relief-like approach that characterized his mature work and set the precedent for three centuries of French art, from Le Brun and David to Cezanne and Picasso.He carried lessons learned from dance into every corner of his production. This book brings together a key group of paintings and drawings by Poussin, exploring the theme of dance and dancers in his production for the first time. Focusing on the dancing pictures created in Rome in the 1620s and 1630s, essays connect Poussin's interest in dance, his study of antiquities, and his formulation of a new classical style.Richly illustrated and engagingly written, this publication uses the prism of dance to cast Poussin in a new, fresh light. Details Author: Emily A. Beeny, curator in charge of European paintings at the Fine Arts Museums of San Francisco and Francesca Whitlum-Cooper, Myojin-Nadar Associate Curator of Paintings, 1600-1800, at the National Gallery Paperback: 144 pages | 70 colour and black and white illustrations ISBN: 978-1857096729 Publication date: October 2021 Dimensions: 28.0 x 24.0 cm
