Forty years since their inception, and almost two decades since their last release, art-synth auteurs Propaganda return with a brand new chapter in their enthralling story. This self-titled set from principal songwriting partnership Ralf Dorper and Michael Mertens embodies the depth and drama of their early work, while exploring fresh sounds and styles, and reflecting the personal and societal changes since their last outing. Conceived and crafted entirely in their native Dusseldorf, a deliberate decision to help them stay true to themselves, and featuring guest appearances from the acclaimed Hauschka and ascendant Thunder Bae, this is Propaganda at their most essential. Though an embryonic incarnation was formed by Ralf Dorper, former synthesist with electro-punks Die Krupps, and Andreas Thein in 1982, it wasn't until the addition of Dusseldorf Symphony Orchestra percussionist Michael Mertens that the outfit emerged as the dark synth-pop powerhouse which would see chart success as part of the ZTT machine. Upon signing with Trevor Horn's irreverent imprint in 1983, Propaganda, now comprised of vocalists Claudia Bruecken and Susanne Freytag alongside Dorper and Mertens, delivered their classic debut LP A Secret Wish and a slew of international hit singles, "Dr Mabuse", "Duel" and "P Machinery", leaving an indelible mark on the alternative scene and securing an enduring place within the pantheon of synth-dance greats. After a late 80s hiatus spent escaping their unfavourable contracts, during which the singers went their separate ways, the project returned on Virgin in 1990, with a new line-up, including Betsi Miller on vocals and former Simple Minds rhythm section Derek Forbes and Brian McGee. Working alongside producers Ian Stanley and Chris Hughes, the ensemble delivered the smoother sophomore offering 1234, featuring collaborations with the likes of Howard Jones and David Gilmour. After which our protagonists pressed pause and pursued separate goals, Dorper resurrecting Die Krupps and Mertens moving into TV and Film composition and providing a conduit for Dusseldorf's experimental electronic scene via his Amontillado Music label. The intervening decades passed with the persistent rumble of reunion from outside voices, but it was a 2015 remix request from Zang Tumb Tuum chum and former Frankie Goes To Hollywood frontman Holly Johnson which finally prompted the pair to reconvene behind the console. The success of those sessions behind them, Dorper and Mertens began to consider what the Propaganda of the present would be. A lot had changed since 1990 - they had changed since 1990, and a new incarnation of the project would have to reflect that. So they waved goodbye to the Pop-aganda of the past, left the clubs to the kids, and pressed forward with complete creative freedom. The result is the immersive, emotive tour de force Propaganda.
