The third issue of Rab-Rab: Journal for Political and Formal Inquiries in Art, published in September 2016 departs from the text of Karl Marx written in 1842, dealing with the laws criminalising the theft of the dead-wood from the forests. By actualising this text our aim is, through poetic abstraction, to intervene against the appropriation of the common resources by the private capital. By actualising poetry and abstraction as devices of political engagement, the third issue of the journal focuses on the question of subjectivity in art and politics. Among the diverse contributions, the third issue includes texts and drawings on poetic configurations of Communist Manifesto, anti-fascist hallucinations of Artaud, the neoliberalism of pirate radios, suburban riots, the materiality of the film, stereoscopic representation of Stalin, communist sensuality, Last Futurist exhibition, documentary abstraction, declaration of East, Kazimir Malevich, the Black Square as organising principle, theory and militancy, Hegel and conceptualism, critique of objectivity of landscape, communism for children, theses on hard-core punk, Art & Language, the non-figurative of art in the self-management socialism, mathemes of cinematic experiments, the lesson of Rodolfo Walsh, and critique of ideological interpellation. Contributors: Bini Adamczak, Marc Angenot, Alain Badiou, Sezgin Boynik, Diego Bruno, Igor Chubarov, Roque Dalton, Ralf Hamman, Vladan Jeremic, Ketevan Kinturashvili, Gal Kirn, Aino Korvensyrjä, Kalle Lampela, Kazimir Malevich, Ilya Orlov, Alejandro Pedregal, Martina Mino Perez, Judith Polett, Rena Rädle, John Roberts, Kerstin Schrödinger, Alberto Hijar Serrano, Caspar Stracke, Darko Suvin, Niloufer Tajeri, Vahit Tuna, Margaret Tupitsyn, Manuela Unverdorben, Elina Vainio, Ben Watson.
