The picture depicts two branches of red flowers, with a swallow standing on each branch. The brushstrokes are soft and natural, showing an extreme tranquility, making the picture peaceful and meaningful.Dimensions47 x 38 cmCondition ReportOverall good condition.ProvenanceRedgast Country Hotel, Barn.NotesSigned 'Ray Harm' lower right.Title: 'When Swallows Come' by Ray HarmArtist: Ray HarmMedium: PrintDimensions: Artwork: 18.5 x 15 inches (47 x 38 cm)Frame: 26 x 22.8 inches (66 x 58 cm)Condition Report: Overall good conditionDescription:'When Swallows Come' by Ray Harm is a serene and tranquil nature print. The artwork depicts two branches of vibrant red flowers, each adorned with a graceful swallow. The brushstrokes used by the artist are soft and natural, creating a sense of tranquility and harmony within the composition. The image evokes a feeling of peace and holds deep meaning, inviting viewers to immerse themselves in the beauty of nature.Measuring 47 x 38 cm (18.5 x 15 inches), this print is presented in a frame with dimensions of 66 x 58 cm (26 x 22.8 inches). The artwork is in overall good condition, ensuring its visual appeal and durability. It has been well-preserved, allowing the viewer to appreciate the artistry and skill of Ray Harm.This particular print is signed by Ray Harm in the lower right corner, adding authenticity and value to the piece. Its provenance can be traced back to the Redgast Country Hotel in Barn, further enhancing its historical significance and charm.'When Swallows Come' by Ray Harm is a captivating nature print that embodies the peacefulness and beauty of the natural world. It would make a stunning addition to any art collection or serve as a focal point in home or office decor. This artwork invites viewers to appreciate the simple yet profound moments found in nature, and it is sure to evoke a sense of tranquility and harmony wherever it is displayed. Ray Harm is the co-founder of the modern limited edition print industry in America and has been a nationally known wildlife artist since the 1960's. This has been documented by the Filson Historical Society' quarterly journal 4/98 Vol.72 No.2. His parents were both concert violinists in the 1920's so music has been a significant influence in his life and he learned several instruments from an early age. Born in the mid twenties in West Virginia (also his father's native state) Ray's childhood was imbued with his fathers later work and study as an herbalist and naturalist digging and selling herbs on the pharmaceutical market. The stock market crash in '29 had forced his father off of the concert tour and back to West Virginia to an earlier interest in herbal medicine. The young man was strongly tutored in the ways of nature by his woodsman/naturalist father. In his mid teens he went west to work as a cowboy on cattle ranches, rode the rodeo circuit in the bull and bronc riding events and when he won enough to purchase a roping horse and trailer, competed as a calf roper. He even satisfied a dream that many youngsters have by working with the Ringling Brothers and Barnum and Baily circus, then a tent show, training horses. Always he sought the outdoor life and work with animals. Three years of Navy service made him eligible for the GI Bill of World War II and later, after more cowboying on the ranches, he chose Art School in 1948. As he puts it "at least some kinda schooling would make my mom proud." Proud indeed, with only six grades of public school, today he holds Honorary Doctorate degrees from six colleges and Universities. Making a living as a wildlife artist in the early 1950's was not easy! This was when limited edition reproduction prints, (as we know them today), did not yet exist and selling original fine art paintings, one by one, was a very difficult way to make a living, especially when just out of art school and unrecognized. It was a struggle for some nine years as he drew heavily from his earlier "roustabout" experiences to support his family, training horses, digging ditches on construction jobs and driving truck while trying to establish himself as an artist. By 1961 Ray had almost given up when he met Wood Hannah, a Louisville businessman and art collector. Hannah became personally interested and together in 1962 they founded a publishing company that was the beginning of the Limited Edition print industry that opened a market for artists everywhere. This market today supports thousands of artists through the medium of Limited Edition prints and Ray is proud of this. The public acceptance of Ray Harm wildlife prints in an ensuing collection, introduced in Kentucky, spread rapidly from coast to coast. He was in demand as a lecturer, wrote a popular weekly nature column and authored two illustrated books, but his paintings of wildlife remained primary. His pictures are appreciated for being from living animals and wildflowers, sketched on location, not copied or traced photographs (which is so commonly done today). All this coupled with his extensive knowledge of the subjects he paints, he feels, is more the essence of fine art as opposed to commercial illustration. Ray has always been physically close to wildlife, since in his lifetime he has always lived rural. He lived with his wife Cathy on their H Rafter Ranch in Arizona. Antelope, Bear, Cougar, Bighorn Sheep, Javelina and a profusion of the bird life of southern Arizona was at his beck and call. Using his artwork and donating his time, Ray helped to raise funds for education, health, nature and many more organizations. There’s a saying by Charles Russell that hangs on a plaque in Ray’s studio that says “A man who can do what he loves for a living is damn lucky” Ray agreed and lived his life filled with love and laughter!
