The Object This wearable sculpture incorporates the image of an early coin form associated with Lydian coinage, reproduced from a later commemorative series. The lion and bull motif refers to one of the earliest known moments in which gold was standardized into currency. The coin appears partially embedded within a dark surrounding structure, as if emerging from a geological layer. It is no longer presented as a means of exchange, but as a layered fragment of a system in which monetary value first took form—and was subsequently reproduced. The object fixes what was once designed to circulate. Material The central element is a replica, referencing early coinage originally produced in electrum—a natural alloy of gold and silver. This reproduction already distances the object from its origin, introducing a second layer of mediation. Encased within a dark, mineral-like structure, the coin is held in place rather than set into motion. The surrounding form absorbs the image instead of amplifying its brilliance. Gold is no longer presented as wealth, but as a trace of a system—repeated, replicated, and displaced. Core Idea The invention of coinage marked a fundamental shift: value became measurable, transferable, and abstract. This work extends that logic. The replica reveals that even the “origin” of value can be reproduced, circulated, and detached from its historical context. Post-Colonial Gold examines how systems of value persist not because they are original, but because they are continuously repeated. This work addresses not only the origin of monetary value, but its replication. Meaning The coin once represented trust, authority, and exchange. In its reproduced form, it becomes an image of that system—already removed from direct economic function. Within the sculpture, circulation is interrupted once more. The object moves further away from function, becoming a layered sign of value. What remains is not money, but the idea of money. The work suggests a subtle but critical shift:value is not only constructed—it is endlessly reproduced. In Dialogue with Hito Steyerl The work resonates with the practice of Hito Steyerl, who examines how images, value, and information endlessly reproduce within economic systems. As in her work, the focus shifts from origin to circulation: not what something is, but how it is repeated and distributed. The coin appears not as a point of origin, but as a copy within a system that continuously reproduces itself. USE & CARE Avoid prolonged contact with water, perfume, and chemical products Store separately to prevent scratches Clean gently with a soft, dry cloth Surface wear may develop over time — this enhances the character of the work This ring is a sculptural object. Handle with care. SHIPPING Carefully packaged in a protective box Includes certificate of uniqueness Insured shipping Delivery time: 3–7 business days (if in stock) International shipping available Tracking information will be provided once dispatched TAGS #WearableSculpture #PostColonialGold #SculpturalRing #ArtAsObject #GoldReconsidered #RepairAsMeaning #MonumentalMiniature #MaterialAsMemory
