Rare second edition, with colophon dated 7 April, of this guide to Jewish life, culture and religious ceremonies by the C16th Jewish convert Anton Margaritha, the son of a rabbi in Augsburg, first published the same year on 16 March. The fascinating woodcuts, which are the earliest printed visual depictions of Jewish ceremonies, many of them showing Jewish women in traditional dress, were copied (traced and reversed) from a work of 1508 by another German convert, Johann Pfefferkorn (1469-1523), though the title-page woodcut was designed separately, attributed to Jörg Breu the Elder (c.1475-1537). Much of the book consists of the German translation of the Jewish liturgy and prayers, with details of the observances of the Sabbath, Passover, Yom Kippur, circumcision, etc. It also contains Margaritha s criticism of rabbinic authority and the practice of usury, and shows the Jewish faith to be based on ritual and superstition. The book influenced Martin Luther, who read, praised and recommended it. One of the fundamental factors determining Protestant policy towards the Jews during the 1530s it confirmed [Luther s] belief that, like the papists, the Jews were completely focused on gaining salvation by virtue of specific religious acts in themselves [which] was idolatry (Thomas Kaufmann, Luther s Jews (Oxford: 2017), p. 79). It was after this that Luther moved from a position of toleration to one of hostility, penning a series of venomous denunciations of Judaism. Margaritha s attack on Judaism caused significant controversy in Augsburg and he was banned from the city. His work was to remain one of the most important sources of information about Jewish religious ceremonies and practices into the eighteenth century (Kaufmann), as well as a source of everyday Jewish life and customs.
