This exceptional gold medallion is crafted from 24K sheet gold and meticulously hammered in the repoussé technique to depict a frontal female head, likely representing Aphrodite, portrayed in a so-called "barbaric" style. Her broad, simplified features are surrounded by hair arranged beneath a Phrygian cap, with a dotted beaded border framing her face. Below the chin, four small triangular granulated pendants hang, creating the appearance of a jeweled necklace or pectoral. Flanking the head are two circular cabochon garnet inlays, each set within beaded collets. Their deep red hues bring vibrancy to the surface. Below, a teardrop-shaped garnet (or perhaps glass) inlay is situated between two raised hemispheres, which may symbolize breasts or attributes of fertility. The outer edge of the disc is surrounded by a continuous granulated border, which unifies the overall composition. The reverse side of the pendant is simple, featuring only a long vertical suspension fitting. Recently, a loop made of high-karat gold was added to the top, allowing the pendant to be strung on a modern chain of 23–24K gold. This addition enhances the pendant's presentation while honoring its ancient design. Published: A. de Ridder, Collection de Clercq, Catalogue Tome VII: Les Bijoux et les Pierres Gravées, Paris, 1911, p.242, no. 1348. Medium: Gold, garnet, glass Dimensions: Diameter 4.7 cm (1.85 in) Condition: Very good condition with minor surface wear and small age-related abrasions consistent with burial and antiquity. An elegant, wearable example of Byzantine jewelry, sensitively adapted for modern wear while retaining its ancient character. Provenance: Louis de Clercq (1882-1901) collection, Paris. De Clercq acquired the medallion in the late 19th century, thence by descent to his grand-nephew Comte Henri de Boisgelin (1901 – 1967), rue de Mazarine, Paris. then K.S. collection, UK, formed in the 1970s-1980, and then by inheritance to the present owner.
