As the German trio KADAVAR – arguably the hardest working band in European rock – stand on the brink of releasing their fourth full length album, they look back at a seven year long career of doing things the other way around. Rather than this being the time to start talking about how music is just another way of paying the bills, they could not be more in tune with the main reason anybody starts a band in the first place – liberation. “We used to put ourselves under a lot of pressure,” says guitarist and vocalist Christoph ‘Lupus’ Lindemann. “We didn't want to be just another rock band, we wanted to be the best. Now we are free from the idea that we need to hit the charts or fill big halls to become happy. To get to that point everyone involved needs mental maturity, and this satisfies me more than any full arena.” Not that they are strangers to neither chart positions nor sold out venues. After being formed in the German capital city back in 2010, the word of KADAVAR playing in a different league from their retro rock-labelled peers quickly spread worldwide, resulting not only in audiences growing past the 1000 mark on their many tours, but also in chart positions for their third and latest album »Berlin«. Highly regarded as one of the most explosive live experiences on contemporary rock scene, their secret seems to be boiled down and brewed from three ingredients: an accessible yet personalized brand of classic rock; a no-frills approach to everything they do (”minimal arrangement, maximum effect”); and that undeniable German tenacity, yet again. Lupus says. “We wanted to sound more like a heavy garage band. We still do, maybe now more than ever.” In between Lupus and drummer Tiger balances Simon ‘Dragon’ Bouteloup, the bassist who replaced the original member Phillip ‘Mammut’ Lippitz. There is nothing German about this Parisian bohemian. Simon spent his late teenage years drifting around Europe intuitively – just like his style of playing – later ending up with the infamous French psychonauts in AQUA NEBULA OSCILLATOR. He moved to Berlin in 2012 to play with THE OATH, and joined KADAVAR two years later. In the beginning of 2017 the band prepared to start a new album cycle by literally rolling up their sleeves and building a brand new recording studio from scratch. Over 100 square metres inside an industrial complex in the area of Neukölln in Berlin is now their creative haven and workplace alike, and this is where ‘Rough Times’ started to take form.
