Sequential Trigon-6 Desktop Analog Synth Module. Experience the Power of Three Oscillators and a Ladder Filter with the Trigon-6 Module The Sequential Trigon-6 desktop module delivers the same massive sound and hands-on timbre shaping control as the Trigon-6 Keyboard. It features the same pure analog signal path with discrete oscillators and filters, and the same high-quality digital effects. It also has the same intuitive layout with full-sized knobs and switches that make it quick and easy to create new sounds. The Trigon-6 module sounds huge — just like the keyboard, because it is the same six voice polyphonic instrument, just in a smaller form factor. And if you want even more polyphony, you can use the poly chain feature to link any two Trigon-6s for a stunning twelve-voice synth! A Sound That is Bold and Familiar The Trigon-6 is Sequential’s polyphonic take on the classic, thick and creamy, 3-oscillator-plus-ladder-filter analog sound that defined the dawn of the synth era. It’s a sound that bridges genres and styles — now refined and redefined with Sequential’s own modern imprint. All-New Filter and Oscillator Design At the heart of the Trigon-6 sound are three newly designed voltage-controlled oscillators (with triangle, saw, and pulse waves) and an enhanced version of the ladder filter that Sequential created for its Pro 3 mono synth. The switchable 2/4 pole resonant filter design has dedicated drive and feedback controls that make it effortless to go from silky and smooth to bold and crunchy with a simple knob turn. Rounding Out the Picture Naturally, the Trigon-6 has the full complement of Sequential’s “must-have” sound-sculpting features including super snappy envelopes, a syncable LFO with multiple waveforms and destinations, a polyphonic step sequencer, and an arpeggiator. Best of all, the knob-per-function front panel of the Trigon-6 puts these controls at your fingertips. And the ready-made palette of 500 factory and 500 user presets provides a wide range of basses, leads, and pads to jump start any project. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flanger, phaser, and ring modulator. The independent stereo distortion effect adds on-demand aggression and is 100% analog. Adjustable Vintage Character Finally, to give even more classic organic warmth to an already classic synth, there’s the Vintage Knob, which adds voice-to-voice variations in calibration and component behavior. Vintage response is adjustable from subtle to extreme to emulate the stability of a perfect modern instrument or a time-worn relic. Specifications: OSCILLATORS Three discrete VCOs per voice Simultaneously selectable wave shapes: triangle, sawtooth, reverse sawtooth, and variable-width pulse Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Keyboard tracking on/off (oscillator 3) Low frequency mode (oscillator 3) Oscillator feedback and drive controls for increased signal saturation White Noise source LOW-PASS FILTER Switchable two/four-pole, discrete, resonant, low-pass, ladder filter per voice Filter can be driven into self-oscillation with the Resonance control Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold) LFO sync Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 3 frequency, oscillator 1 pulse width, oscillator 2 pulse width, oscillator 3 pulse width, filter cutoff, amp (VCA) POLY MOD Sources: oscillator 3 (bi-polar) and filter envelope (bi-polar) Destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 3 frequency, oscillator 1 pulse width, oscillator 2 pulse width, filter cutoff, feedback amount VINTAGE KNOB Recreates vintage synth characteristics by adding voice-to voice variations in component behavior
