As a multitude of waves slowly push their way to the shore, this CHRONICLE displays the many layers that make up our ocean. Each wave that reaches the shore is preceded by yet another wave, coming in on top of it. The largest of the waves is shown crashing on top of three other waves, rushing to take its turn on the beach sand. Directly above this wave sits the sun, which is shining through the white foam at the top of the largest wave. It illuminates the sky, and its sense of radiance is uniquely powerful. As you take a close look at the photograph, you notice that there is a line of clouds cutting horizontally from the sun. They are quite detailed and add significant depth to the scene. This is SERIES. STORY Series, layers, levels, rotations, taking turns - these are all ways you could impactfully describe this CHRONICLE. Yet, the goal, the story, behind the photo isn't "Our oceans are cool, here's how they work". As you are likely well aware, every photo I take holds a story of significance, and the significance of this photo has everything to do with you. Just as the waves of the tide have layers, so we have generation; waves of different and unique people. Your ancestors, and my ancestors, are the bodies of water that got to experience the harsh grinding of the sandy beach, and you are currently living in that reality they once knew. You are rolling on the foundation that the elders have given to you, and then you are finally reaching the sand, the goal of every wave. Though someday, we will recede back to where we came from. For some of us, that's the depths of the ocean, but for others it might be the clouds - purified of the saltiness that separates the boundary waters from the crystal clear, life giving bodies of water we call lakes. As I was taking this photograph and preparing my vision for the shot, I was thinking to myself, "How could I be fortunate enough to be lifted on a cloud?" The answer that I was given was: the sun. What we need in our lives, to free us from the dense and burdensome lives we lead as salty pods, is a sun that can cleanse us. The sun stands above everything (the ocean, the Earth, time) for a reason. It is the source of regeneration, new life, on our Earth. Parallel to this is someone who made the sun, and who can purify more than water. The hanging of this CHRONICLE will serve as a reminder to all: we run a life that will end in darkness, unless we rely on something greater than us to lift us up. Thank you for reading MATERIAL At Summit Edits, each photograph is brought to life using a carefully curated selection of museum-grade materials, chosen for their ability to elevate every detail, tone, and nuance of the image. Each option offers a distinct visual experience, allowing you to select the presentation that best reflects your space and aesthetic. Fuji Crystal Archive DP IICrafted using true photographic printing, Fuji Crystal Archive DP II offers remarkable clarity, vibrant color, and smooth gradation. This professional-grade paper enhances contrast while maintaining natural depth, resulting in a luminous, polished image that feels both crisp and immersive. It is a classic choice for showcasing photography with precision and presence.Prints are produced edge-to-edge for a clean, modern finish that emphasizes the full image. Acrylic Glass with Fuji Crystal ArchiveFor a more striking, contemporary statement, the photographic print is mounted beneath optically clear acrylic glass at 0.08" (4 mm), amplifying depth, brilliance, and contrast. Light interacts with the surface to intensify color and enrich blacks, creating a radiant, almost dimensional effect.The print is backed with durable Alu-Dibond at 0.12" (3 mm), ensuring stability and longevity. This construction not only enhances the visual impact but also provides a solid, gallery-ready piece. Integrated aluminum rails allow for effortless hanging.The result is a bold, gallery-style presentation designed to command attention and transform the photograph into a true centerpiece. From the soft sophistication of fine art paper to the vivid clarity of photographic print and the dramatic impact of acrylic glass, each material is selected to ensure that every piece of Ephrem’s work is experienced at its highest potential. WHITE BORDER Border & Presentation Details All prints are produced edge-to-edge, with no white border, allowing the image to fully occupy the space for a clean, modern presentation. The only exception is Hahnemühle Photo Rag Ultra Smooth, which includes a 0.79" (20 mm) white border as part of its fine art presentation, enhancing its gallery-style aesthetic. If you prefer a white border on other materials, this can be achieved through custom framing using a mat board. This involves selecting a slightly larger frame and adding a mat, which surrounds the image and creates that classic, centered border effect. **For collectors who strongly prefer a built-in white border on other materials, custom orders are available upon request. Feel free to reach out directly, and I’ll do my best to accommodate your vision.
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