Mysticism, magic, as well as individual interpretations and abstractions of spirituality and cultural rituals are the binding links between the contributions in this volume. 176 Pages 21 x 28,5 cm Printed and crafted in Berlin, Germany Following contributors are involved 011668, Apex, Áron Lőrincz, Adam Varab, Adrienne Kammerer, Alicia Gladston, Bastian Kussin, Beatus of Liébana, Ben Sang, Calissa Teiniker, Charles Spano, Chiu Laozhi, Claire Barrow, Christian Fjorks Thomsen, Elliot Fry, Emma Dudlyke, Emilio Subia, Eneas Bohatsch, Fitnesss, Gaspard Hers, Gaëlle Botta, Gia Söder, Hooz, Harrison Sayed, Ilana Blumberg, Jean-Baptiste Normand, Johannes Farfsing, Johannes Seluga, Jonas M. Mölzer, Jonathan Lyon, Juraj Cernak, Karl-William Klenk, Kasia Postaremczak, Katya Zhitkovskaya, Kay Yoon, Nassim L'Ghoul, Riccardo D’avola-Corte, Richard Müller, Ringo Lukas, Ruby Gaskell, Sal Salandra, Tony Cox, Ulli, Varias, Vincent Georgios Courtpozanis, Wang Zi Won, Willi Jeschar, William Potrykus, Xavier Dartayre - Synchron is an independent magazine dedicated to showcasing a broad spectrum of contemporary art, literature, subcultural practices, especially those developed in antagonism with, or parallel to, larger commercial art markets. It is an experimental print publication and curatorial platform for exchange and collaboration. Synchron provides its readers with an opportunity to discover ambitious, emerging artists beyond online platforms; and gives its contributors a versatile option to present their work. This project grew out of our admiration for international communities, and our subsequent desire to build one of our own – with the particular understanding that young, self-taught artists and students still form a minority in the current art related print landscape. Furthermore, in the course of conversations with these artists a clear consensus emerged: we feel that the value of (new) artworks is being diminished by endless proliferation of online publications accessed largely through the small shiny scrolling screens of smartphones. This was a major factor in our decision to choose print as our medium.
