An early edition of this compilation of the complete works of the 'Rabelais of Bourgogne', which "eut un grand success, qu'il dut surtout √† l'originalit é de son auteur, incarnation vigeureuse de la gaiet é franche et de la na√Øvet é maliciuese du vieil esprit gaulois". Tabourot (known as Le Seigneur des Accords), a talented lawyer, friend of Montaigne and Pasquier, and 'juge ch√¢telain de la baronnie de Verdun en Bourgogne', spent ten years before his appointment broadening his mind at the University in Paris and in traveling. He published a number of works, among them a revised edition of his uncle Jehan Le Fèvre's works. He started work early on the present collection of works, a playful smorgasbord of popular folk-tales and fables, satirical pieces, rhymes, basic numerology and codemaking, sorcerers and impostors, the invetion of many anagrams and above all amusing nothings, which at the same time are frequently instructive, but also include "des obscenit és grossières et immondes". However, unlike most surviving works of the period, it provides us with a rare view of the literature of the people and the tastes of ordinary readers, especially of Dijon and Burgogne. The first edition of this collection of Tabourot's works was J. Richer's in Paris in 1603 (on which the present edition is based). However, some of the works had been published separately in the 16th century, most notably the Touches (first published 1585-88 - "les exemplaires complets des editions originales de cet ouvrage sont si rare qu'on chercherait vainement"), which suffered at the hands of 16th-century editors, and are conventionally much reduced in collected editions. Nevertheless, what remains is an amusing and unusual testimony to the playful side of the post-Renaissance, afforded a signal charm by the na√Øf woodcuts illustrating the text.
