Red Panda Lab's "Tensor" gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways. Slow down, speed up and rewind in real time. Play in reverse with pitch shifting. Stretch or compress time with no pitch change. Loop, overdub, and randomly slice phrases up to 9.4 seconds (4.7 seconds in stereo). The Tensor is always listening, so you can instantly rewind what you just played and seamlessly shift between forward and reverse. It constantly analyzes what you play at three levels - phrase, note, and waveform - to choose the best splice points, so you can focus on your playing. Intelligent, multi-layer randomization adapts to the knob settings. The results range from occasional CD skips, stutters, and rhythmic repeats to random slicing and erratic pitch shifts. Both foot switches have momentary and latching modes to inject pitch jumps, glitches, or instantly rewind what you just played. The Tensor™ is in a pedalboard-friendly enclosure with all jacks on top. All controls are immediately accessible with well-spaced knobs for live tweaking, and USB MIDI for recording and sequencing. Features Tape speed from reverse to stop to forward Realtime time stretch up to 4:1 Loop time compression and stretch from 1:4 to 4:1 Pitch shift from -2 to +2 octaves in fixed intervals Intelligent randomization Overdub, replace, and dual buffer (next) loop modes Forward/alternate/reverse loop direction Additional looping functions via remote switch or MIDI Momentary or latching foot switches Always listening - instantly jump from bypass to reverse Assignable expression pedal, remote switch, remote tap, or MIDI port +5.5 dBu maximum input level (adjustable to +8 dBu) Stereo input/output (TRS) MIDI (USB and TRS) Web-based editor for editing presets and accessing hidden parameters New in firmware version 1.1: Loop sampler functions (retrigger / stop / one shot) via MIDI or remote switch 31 presets via MIDI or remote switch Expression pedal assignable to any knobs Improved MIDI scaling for speed, time, and pitch Kill dry mode (always mutes dry signal)
