Product Overview Elevate your on-set audio workflow with the POWRIG Tentacle Sync Timecode Cable, engineered specifically for professional filmmakers, DITs, and sound recordists. This premium interconnect ensures flawless synchronization between your portable timecode generator and cinema camera. Designed for demanding, fast-paced production environments, it delivers the reliable, drift-free performance that industry professionals trust for critical audio-visual alignment and seamless post-production workflows. Key Advantages Flawless Synchronization: Guarantees precise, drift-free timecode locking, eliminating clapperboard reliance and streamlining post-production audio syncing. Premium Build Quality: Features robust, multi-layer shielding and durable connectors to withstand rigorous on-set conditions and prevent RF interference. Plug-and-Play Simplicity: Meticulously wired for immediate deployment, allowing crew to establish a reliable sync chain instantly without complex configurations. Professional Reliability: Rigorously tested and trusted by industry sound recordists and camera assistants for high-stakes commercial and feature film productions. Technical Specifications Connector A 3.5mm TRS (Male) Connector B 5-Pin LEMO (Female) Target Compatibility Tentacle Sync to ARRI Alexa Mini Cable Construction High-flex, tangle-resistant premium shielding Primary Application Professional Cinema Audio Synchronization What's in the Box 1 x POWRIG Tentacle Sync to ARRI Alexa Mini Timecode Cable (3.5mm TRS to 5-Pin LEMO) System Compatibility & Workflow This cable is purpose-built to bridge leading industry standards on professional film sets. It seamlessly connects Tentacle Sync timecode generators (such as the Tentacle Sync E) directly to the dedicated timecode input of ARRI Alexa Mini cameras. Furthermore, it maintains full compatibility with major professional audio recorders from Sound Devices when utilizing the standard 3.5mm TRS output. This ensures a unified, robust, and highly reliable synchronization ecosystem, whether you are shooting a single-camera commercial or a multi-camera feature film.
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