THE CLOCKWORK THREE is the title of Matthew J. Kirby's novel about three young people that every person can identify with who is in or has experienced similar circumstances of crises, big or small: Giuseppe, Hannah, and Frederick. It is set on the eastern seaboard in a bustling city of the United States around 1900. Those three young characters provide ample opportunity for every young reader to find a friend to identify with relative to feelings of enslavement to something, whether it's freckles and red hair or something else much more or less serious. Take as a mentor either the orphaned Giuseppe, who must play his violin in the streets for money and turn over all the earnings from doing so to an evil master, or the lovely and tender Hannah, who must work her fingers to the bone with little opportunity or future as a maid in a high-class hotel in order to provide for her impoverished family, or the handsome and strong Frederick, the young apprentice to a clockmaker who can't remember what happened to him earlier in his life so that he lost his mother and ended up in an orphanage. Because, if you do, you'll find more than the magic in Giuseppe's green violin found as flotsam in the bay, or in the automaton Frederick has long dreamed of bringing to life, or in the treasure in the park Hannah hopes to find to deliver her family from poverty and worse. You will find the magic of friendship, of sacrificing yourself for someone else, and of loyalty to both people you love and to principles. This is Matthew's debut novel and what a grand one it is. You will love his tight storylines that will carry you away into the world of the three children; you'll marvel in the way he weaves his prose together so flawlessly, and you'll find satisfaction in the ease with which he employs metaphors and other literary devices. And characters! Oh my, the characters.
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