By Javi Aznarez. Published by Nieves. Softcover, 52 pages, Colour, 2025. This volume brings together all of Javi Aznarez’s covers created for The French Dispatch. As in Wes Anderson’s film, the book reflects the mid-1970s The New Yorker magazine format that inspired it. The cover art direction was led by Erica Dorn. The collection highlights Aznarez’s unmistakable style – bold lines, vibrant colors, and a subtly wry humor – evoking the golden age of print illustration while seamlessly complementing Anderson’s meticulous world-building. Javi Aznarez is a Spanish artist and illustrator known for his expressive line work, cinematic compositions, and darkly humorous tone. Based in Cadaqués, Spain, he has collaborated with major publications such as The New Yorker, The New York Times, and El País, and worked on projects for leading brands including Macallan. Beyond illustration, he co-founded an art studio and gallery in Cadaqués, where he also teaches drawing and printmaking. His art often blends irony with elegance, drawing inspiration from mid-century aesthetics, film, and everyday absurdities. Wes Anderson is an American filmmaker, screenwriter, and producer celebrated for his distinctive visual language and precise storytelling. His films – including The Royal Tenenbaums, Fantastic Mr. Fox, The Grand Budapest Hotel, and The French Dispatch – combine stylized design, dry humor, and emotional depth. Drawing from literature, theater, and classic cinema, Anderson crafts stories that balance whimsy with melancholy, exploring themes of family, nostalgia, and belonging. His unmistakable aesthetic and attention to detail have made him one of contemporary cinema’s most influential auteurs. Exhibition at the Design Museum in London21 November 2025 – 26 July 2026
