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The Kinks - The Ultimate Collection
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The Kinks - The Ultimate Collection Media Condition: Mint (M) Sleeve Condition: Mint (M) Format: 2xCD, Comp, Sli Country: UK & Europe Released: 2002 Genre: Rock Style: Pop Rock, Cl
assic Rock Track List: 1-1. The Kinks - You Really Got Me 2:151-2. The Kinks - All Day And All Of The Night 2:241-3. The Kinks - Tired Of Waiting For You 2:321-4. The Kinks - Everybody's Gonna Be Happy 2:171-5. The Kinks - Set Me Free 2:121-6. The Kinks - See My Friend 2:471-7. The Kinks - Till The End Of The Day 2:211-8. The Kinks - Dedicated Follower Of Fashion 3:021-9. The Kinks - Sunny Afternoon 3:351-10. The Kinks - Dead End Street 3:231-11. The Kinks - Waterloo Sunset 3:191-12. Dave Davies - Death Of A Clown 3:131-13. The Kinks - Autumn Almanac 3:121-14. Dave Davies - Susannah's Still Alive 2:231-15. The Kinks - Wonderboy 2:511-16. The Kinks - Days 2:551-17. The Kinks - Plastic Man 3:051-18. The Kinks - Victoria 3:401-19. The Kinks - Lola 4:031-20. The Kinks - Apeman 3:541-21. The Kinks - Supersonic Rocket Ship 3:311-22. The Kinks - Better Things 3:001-23. The Kinks - Come Dancing 3:561-24. The Kinks - Don't Forget To Dance 4:392-1. The Kinks - David Watts 2:402-2. The Kinks - Stop Your Sobbing 2:062-3. The Kinks - Dandy 2:122-4. The Kinks - Mr. Pleasant 3:002-5. The Kinks - I Gotta Move 3:242-6. The Kinks - Who'll Be The Next In Line 2:032-7. The Kinks - I Need You 2:262-8. The Kinks - Where Have All The Good Times Gone 2:512-9. The Kinks - Sittin' On My Sofa 3:062-10. The Kinks - A Well Respected Man 2:422-11. The Kinks - I'm Not Like Everybody Else 3:282-12. Dave Davies - Love Me Till The Sun Shines 3:172-13. The Kinks - She's Got Everything 3:092-14. The Kinks - Starstruck 2:222-15. The Kinks - Shangri-La 5:212-16. The Kinks - God's Children 3:172-17. The Kinks - Celluloid Heroes 6:232-18. The Kinks - (Wish I Could Fly Like) Superman 5:592-19. The Kinks - Do It Again 4:142-20. The Kinks - Living On A Thin Line 4:17 Notes: Comes in a cardboard slip case. ℗ 2002 the copyright in this compilation is owned by Sanctuary Records Group Ltd. © 2002 Sanctuary Records Group Ltd. Made in England. Catalogue numbers printed on this product :Spine: SANDD 109, Back: SANDD109, Slipcase spine: SANDD109 Tracks 1-1, 1-2, 2-2 & 2-5 published by Edward Kassner Music Co. Ltd. ℗ 1964 The copyright of these original Pye recordings is owned by Sanctuary Records Group Ltd. Tracks 1-3, 1-4 & 1-6 published by Edward Kassner Music Co. Ltd. ℗ 1965 The copyright of these original Pye recordings is owned by Sanctuary Records Group Ltd. Tracks 1-5, 2-6 & 2-7 published by Kassner Associated Publishers Ltd. ℗ 1965 The copyright of these original Pye recordings is owned by Sanctuary Records Group Ltd. Tracks 1-7 & 2-8 published by Carlin Music Corp. ℗ 1965 The copyright of these original Pye recordings is owned by Sanctuary Records Group Ltd. Track 2-10 published by Edward Kassner Music Co. Ltd. ℗ 1966 The copyright of these original Pye recordings is owned by Sanctuary Records Group Ltd. Tracks 1-8, 1-9, 1-10, 2-3, 2-9 & 2-11 published by Carlin Music Corp. ℗ 1966 The copyright of these original Pye recordings is owned by Sanctuary Records Group Ltd. Tracks 1-11, 1-12, 1-13, 1-14, 2-1, 2-4 & 2-12 published by Carlin Music Corp. ℗ 1967 The copyright of these original Pye recordings is owned by Sanctuary Records Group Ltd. Tracks 1-15, 1-16, 2-13 & 2-14 published by Carlin Music Corp. ℗ 1968 The copyright of these original Pye recordings is owned by Sanctuary Records Group Ltd. Tracks 1-17 & 2-15 published by Carlin Music Corp. ℗ 1969 The copyright of these original Pye recordings is owned by Sanctuary Records Group Ltd. Tracks 1-18, 1-19 & 1-20 published by Carlin Music Corp. ℗ 1970 The copyright of these original Pye recordings is owned by Sanctuary Records Group Ltd. Track 2-16 published by EMI Film & Theatre Music ℗ 1971 The copyright of these original Pye recordings is owned by Sanctuary Records Group Ltd. Tracks 1-21 & 2-17 published by Carlin Music Corp. ℗ 1972 The copyright of these recordings is owned by Velvel Records Ltd. Track 2-18 published by Carlin Music Corp. ℗ 1979 The copyright of these recordings is owned by Velvel Records Ltd. Track 1-22 published by Carlin Music Corp. / Raymond Douglas Davies ℗ 1981 The copyright of these recordings is owned by Velvel Records Ltd. Tracks 1-23 & 1-24 published by Carlin Music Corp. ℗ 1983 The copyright of these recordings is owned by Velvel Records Ltd. Track 2-19 published by Carlin Music Corp. ℗ 1984 The copyright of these recordings is owned by Velvel Records Ltd. Track 2-20 published by Dabe Music Ltd. ℗ 1984 The copyright of these recordings is owned by Velvel Records Ltd. Comments: Factory Sealed and perfect! Goldmine Grading Guide A universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor/Fair (damaged). Mint (M) Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Near Mint (NM or M-) A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc. Very Good Plus (VG+) The item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint. Very Good (VG) The item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time. Good (G), Good Plus( G+) An item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present. Poor (P), Fair (F) The item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.Data provided by Discogs
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