The Turning is a meditation on seasonal change as experienced in Canada, where each season arrives with a full presence and a distinct character. The composition unfolds through layered petal forms that carry the memory of all four seasons simultaneously, not as a sequence, but as coexistence. Warm oranges and deep browns anchor the work in autumn, the most visually arresting transformation of the Canadian landscape. Around and within them, cooler accents and softer tones suggest the other seasons, present but not insistent. The result is a composition that does not depict a single moment in time, but the nature of time itself. What turns is not only the calendar, but light, colour, and the quiet awareness that each season carries the trace of all the others.