Is art obliged to engage with politics? If so, how? By taking sides in political struggle; by singing the song of the barricade, the new nation, the bombed city? Or by giving form to the deeper patterns of experience – the raw materials of ‘society’ – from which any politics is made? Using case studies stretching across the centuries, from Hieronymus Bosch to Jacques-Louis David and the French Revolution, from Walter Benjamin to Pier Paolo Pasolini, Those Passions aims to show how modern art has responded to the chaos and danger of modern life. In the book’s three sections – ‘Precursors’, ‘Moderns’ and ‘Modernities’ – internationally renowned art historian T. J. Clark unpicks the nature of capitalist society and its visual culture. He tries to understand the politics of appearance which is now our natural home – the twists and turns of consumerism, the arrival of the 24-hour image-world, the changing modes of symbolic production and the ongoing saturation of life by pictures and ‘data’ – and take stock of our guilty love affair with the imagery of violence, our attitude to the dream-world of advertising, the power and pathos of screen time. Written over the course of twenty-five years, these radical, provocative essays rethink issues central to art-making and political life today.
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