Exclusive Torpedo technology Highly realistic speaker simulation is achieved by use of convolution. Two notes started from that technology and brought it much further, to accurately reproduce the characteristics of the whole miking chain (speaker, microphone, preamplifier, studio room acoustic). Many parameters influence the sound of your guitar or bass rig when it comes to recording. Taking good care of the cabinet selection and miking will dramatically improve the sound of your takes. The Torpedo simulation reproduces the tiniest variations of a cabinet behaviour (such as its frequency response). Move the microphone in the virtual studio room thanks to the Torpedo IR synthesis: all the settings you need to achieve great recordings are here. APPLICATIONS Control your Torpedo & access the Two notes Boutique With its clear and intuitive interface, Torpedo Remote will give you access to all parameters on your Torpedo, including loading and saving presets, loading new IRs, and updating the unit's firmware. You can pick any speaker cabinets from the Two notes Store, preview them on your own tracks in real time, and choose to buy the ones you prefer. Arcade or Simulation mode We borrowed the concept of Arcade VS Simulation from the world of video games. The Arcade mode is usually the easy way to, for example, drive a race car. You can hit obstacles,other cars, you can still win the race. We recommend that for your first experience with The Torpedo C.A.B. you start with the Arcade preset mode to get more familiar with the concept of virtual miking. The simulation mode is not for beginners and requires more experience and knowledge about how the car actually works, depending on many tiny but still important parameters (weather, type of tires, track design...). In that preset mode you will gain access to the full list of parameter, to fine tune your sound and make it perfect to your ears. Connections The Torpedo C.A.B. takes place on a pedalboard, after a preamp, among your usual stompboxes. The best results are achieved by placing it before the time-based and modulation effects (chorus, delay, reverb...), which then become brigther and clearer. This position also allows to take advantage of the possible stereo of these effects. This is similar to the way things are done in the studio, where modulations are often applied to guitar and bass tracks after recording.
