This is the sixth full-length album by Swedish acoustic ambient group Trio Ramberget - An eponymous suite in six parts recorded live in a big oil cistern at the Nonagon Festival at the island Svanö, just outside of Kramfors in the northern part of Sweden. Within the vast steel chamber of the oil cistern, the trio’s sound met the natural, organic echo of the space – becoming a fourth player in their distinctive acoustic drone universe. The result is an album where every tone carries the breath of the room itself.Set for release on vinyl and across all major digital platforms, the record marks the next chapter in the group’s ongoing exploration of space, resonance, and improvisation. “The reverb-drenched instruments may sound frayed, but they’re not afraid. Double bass, bass clarinet, and trombone all ease around hidden edges…” – A Closer Listen “I think it's sensationally good. The somewhat unusual instrumentation with double bass, trombone, and bass clarinet feels just right. [...] I also like that Trio Ramberget is hard to categorize. Not jazz, not classical, not improv. Something in between. They create their own musical borderland. Stories without words.” – Lira Musikmagasin Following earlier releases such as Musik att somna till (2019), 24 Ways (2021–22), and Mirror Variations (with Matti Bye), Trio Ramberget continues to blur the lines between improvisation, sound art, and acoustic minimalism. Self-released, 2026
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