DescrizioneTWO NOTES TORPEDO STUDIO PURPLEYou love the sound of your amplifier pushed right to the magic sweet spot where the best tones are. Until now, the only available option was blasting your sound through a 4×12″ to properly excite a microphone. Enter Torpedo, the simplest and most realistic way to get your sound to your audience. Use the amp you love! Everything that makes a real amp rule over all the other alternatives is retained. You can even record silently late at night ! Gone is the backache from the loadout, complaints from neighbours, venue staff or even bandmates and the frustration of not being able to sound at one’s best trying to reduce the volume.Highly realistic speaker simulation is achieved by use of convolution. Two notes started from that technology and brought it much further, to accurately reproduce the characteristics of the whole miking chain (speaker, microphone, preamplifier, studio room acoustic). Many parameters influence the sound of your guitar or bass rig when it comes to recording. Taking good care of the cabinet selection and miking will dramatically improve the sound of your takes. The Torpedo simulation reproduces the tiniest variations of a cabinet behaviour such as frequency response and distortion. Move the microphone in the virtual studio room thanks to the Torpedo IR synthesis, control the phase with the Variphi: all the settings you need to achieve great recordings are here.SpecificheAmplifier input: Jack 6.35 mm (1/4) unbalanced (TS, Tip/Sleeve), to connect the speaker output of your tube or solid state amplifier Speaker Thru: Jack 6.35mm (1/4”) unbalanced (TS), to connect an optional cabinet instead of using the internal loadbox) Line inputs: 2 x Combo XLR – Jack 6.35 mm (1/4”) balanced (TRS)/unbalanced (TS) Line outputs: 2 x XLR balanced Headphones output: Jack 6.35 mm (1/4”) balanced (TRS) stereo Digital inputs: AES & S/PDIF 2 channels input Digital outputs: AES & S/PDIF 2 channels output Wordclock sync BNC MIDI In, Out/Thru USB portThe Torpedo Studio is fully controllable via MIDI. Program Changes are used to change presets. Control Changes are used to control the parameters of the Torpedo Studio.Casse per Chitarra2Notes CSG : Two notes Custom 1×12″ ElectroVoice® EVM12L Alichino : Cornford® Harlequin 1×12″ OB Celestion® Vintage 30 UK Angl VintC : Engl® 4×12″ Celestion® V30 Bayou : Jenkins® Sound Lab 2×12″ OB Eminence® Patriot Swamp Thang BDeLuxe : Fender® Blues Deluxe 1×12″ Blonde 63 : Fender® Bassman ’63 Blonde Tolex Piggy Back 2×12″ Brit 65C : Marshall® 1965A 4×10″ Celestion® G10L-35 closed back Brit 650 : Marshall® 1965A 4×10″ Celestion® G10L-35 open back Brit Std : Marshall® JCM900 2×12″ Celestion® G12T Brit VintC : Marshall® Slash Signature 4×12″ Celestion® V30 closed back Brit VintO : Marshall® Slash Signature 4×12″ Celestion® V30 open back Calif C90 : Mesa/Boogie® 1×12″ Celestion® C90 (Black Shadow) Calif StdC : Mesa/Boogie® Rectifier® Standard 4×12″” Celestion® V30 closed back Calif StdO : Mesa/Boogie® Rectifier® Standard 4×12″ Celestion® V30 open back Eddie : Peavey® 5150 2×12″ Sheffield 1200 Forest : Elmwood® 2×12″ Celestion® V30 Free Rock : VHT® Deliverance 4×12″ Eminence® P50E Free Rock2 : VHT® Deliverance 2×12″ Eminence® P50E Green Tri : Hughes&Kettner® Triamp 4×12″ Celestion® Greenback Jazz 120 : Vintage Roland® JC120 2×12″ JubilGreen : Marshall® 2550 2×12″ Celestion® Greenback JubilV30 : Marshall® 2550 2×12″ Celestion® V30 Kerozen : Diezel® 4×12″ Celestion® G12K-100 R2D2 : Musicman® 112 RD 1×12″ Electro-Voice® EVM12L Silver77 : Vintage Fender® Twin Reverb® 2×12″ orange JBL® SilverJen : Vintage Fender® Twin Reverb® 2×12″ Jensen® C12K StrongBack : The One : Brunetti® Neo1512 1×15″ + 1×12″ Twill 15 : VHT® Fat Bottom 4×12″ Eminence® P50E Vibro Utah : Vintage 1961 Fender® Vibrolux® 1×12″ original Utah speaker Vibro V30 : Vintage 1961 Fender® Vibrolux® 1×12″ Celestion® V30 Voice 30 : Original Vox® AC30 JMI 2×12″” Celestion® « Silver Bell » Voice 65 : 1965 Vox® 2×12″ VoiceModrn : Vox® V212H, 2×12″ Celestion® Alnico Blue Watt FanC : Hiwatt® 2×12″ Fane closed back Watt FanO : Hiwatt® 2×12″ Fane open back XTCab : Bogner® 4×12″ Celestion® V30Casse per Basso2Notes CSB : Two notes Custom 1×15″ Alu XL : Hartke® XL 4×10″ AZ Ben : SWR® Big Ben 1×18″ AZ Work : SWR® WorkingMan 4×10″ Calif Low : Mesa/Boogie® 2×10″ Fridge : Ampeg® 8×10″ Heaven Bot : David Eden® 1×15″ Heaven Top : David Eden® 4×10″ Marco : Markbass® 2×10″ New York : Markbass® 4×6″ Rea One : AER® Cab One 2×10″ Voice V125 : Vox® V125 2×12″ WgrandBlvd : Ampeg® B15N 1×15″ CB Jensen® C15N, Vintage CeramicSimulazione di Testate4 TUBES TYPE: EL84 EL34 6L6 KT88 2 CIRCUITS TYPE: class A / single ended class AB / push pull 2 DIFFERENT MODES: pentode triode SETTINGS: Volume Presence DepthMixingSettings : Choice of speaker cab and microphone Microphone position (distance, axis, front/back) Variphi: phase control Overload: natural speaker distortion control Dry/Wet Post-FX : 6-band Semi parametric EQ Exciter (low, high) Compressor (threshold, ratio, attack and release time, make-up gain) Reverb (8 room + 1 custom)Reactive or Resistive load (relay), Nominal impedance: 4 or 8 or 16 Ohms (switch) Maximum admissible power: 150 W (200 Watt peak) Cooled by temperature-controlled fan Inputs / Outputs Speaker Input : Jack 6.35 mm (1/4″) unbalanced (TS, Tip/Sleeve) Speaker Thru : Jack 6.35mm (1/4″) unbalanced (TS) Line Inputs : 2 X Combo XLR – Jack 6.35 mm (1/4″) balanced (TRS)/unbalanced (TS) – Maximum level: 8,7 dBu – Impedance : 20 kOhms Line Outputs : 2 x XLR balanced – Maximum level: 11 dBu – Impedance : 600 Ohms Phones : Jack 6.35mm stereo (TRS) AES/EBU numeric Input/Output S/PDIF numeric numeric Input/Output MIDI Input/Output USB Connexion
