Vampire Weekend started generating buzz in 2006 - not long after they formed - but their self-titled debut album didn't arrive until early 2008. At times, the album sounds like someone trying to turn a Wes Anderson movie back into music (it's no surprise that the band's keyboardist also writes film scores); there's a similarly precious yet adventurous feel here, as well as a kindred eye and ear for detail. Everything is concise, concentrated, distilled, vivid; Vampire Weekend's world is extremely specific and meticulously crafted, and Vampire Weekend often feels like a concept album about preppy guys who grew up with classical music and recently got really into world music. Amazingly, instead of being alienating, the band's quirks are utterly winning. Scholarly grammar ("Oxford Comma") and architecture ("Mansard Roof") are springboards for songs with impulsive melodies, tricky rhythms, and syncopated basslines. Strings and harpsichords brush up against African-inspired chants on "M79," and lilting Afro-pop guitars and a skanking beat give way to Mellotrons on "A-Punk." Fully realized debut albums like Vampire Weekend come along only once in a great while, and these songs show that this band is smart, but not too smart for their own good. Mansard Roof Oxford Comma A-Punk Cape Cod Kwassa Kwassa M79 Campus Bryn One (Blake's Got a New Face) I Stand Corrected Walcott The Kids Don't Stand a Chance
