Wrecks is a collection of poems inspired by the great auk, a flightless seabird driven to extinction in the mid-1800s. The last two known members of the species were killed on Eldey Island, Iceland, in 1844. The auk was repeatedly described by those who killed the bird as making human-like gestures and sounds, including sighs. Wrecks investigates how the human-nonhuman binary and the dehumanization it enables makes space for violence—against animals and the environment, but also against other humans. It explores the colonial systems that drive extinction, and the hierarchical structure by which hegemonic powers decide what is—and what is not—human. It engages the author's experience of dehumanization as an atheist growing up in the conservative South; it also interrogates her complicity in systems of structural racism, and her inheritance as the descendant of colonizers.
