Built for AV techs, sound engineers, and touring crews who need clean audio from microphone to mixer, this balanced XLR to XLR microphone cable carries signal without picking up noise from the rig around it. Wired to the standard 3-pin XLR layout, it works straight out of the bag with mics, mixing consoles, DI boxes, and powered speakers. Unlike DMX cable, which runs at 110Ω for digital lighting control, this XLR microphone cable is built to the 50 to 75Ω impedance audio gear actually expects. With 22AWG oxygen-free copper, a 95% braided shield, and 24k gold-plated XLR connectors, signal stays clean from short 1m XLR cable patches all the way through to long 20m FOH lines. Choose the Right XLR Cable Length Pick a length based on the distance between your mic, source, and mixer: 0.5m–1.5m, rack patches, mic splits, and short desktop runs 2m–3m, monitor feeds, mic to stand, console to outboard 6m–10m, standard stage runs, mic to FOH return, studio session lines 15m–20m, long FOH throws, large-stage mic lines, install runs Clear heat shrink at each end takes a marker pen, so every XLR lead stays sorted between gigs. Designed in Brisbane, built for the way live audio actually gets used.